Notes: CONTU’s recommendations were largely adopted by Congress; the present Copyright Act (as amended) reflects its proposal that software should be protected as a literary work. If there is an orthodox statement of how U.S. copyright law thinks about software, this is it. Richard Stallman (but see) was the driving force behind the creation of the free-software movement, and his essay is a rejection of this orthodoxy. He argues that the entire concept of owning software is a mistake.
Questions:
What is software (“computer programs”), according to CONTU?
Why does CONTU recommend legal protections against the copying of software?
Why does CONTU recommend treating software as a literary work (the same category used for poetry and novels)?
Where does Commisioner Hersey (the author of Hiroshima, among many other books) disagree with the CONTU majority? Does his understanding of software differ from the majority’s?
Where does Stallman disagree with the CONTU majority? Does his understanding of software differ from the majority’s?
Is Stallman’s argument the same as Klemens’s from last time? Do they rhyme?
Pamela Samuelson, Randall Davis, Mitchell D. Kapor, and J.H. Reichman, A Manifesto Concerning the Legal Protection of Computer Programs, 94 Columbia Law Review 2308 (1994). A canonical article on software copyright, combining technical precision with a thoughtful economic analysis. Even decades later, it remains one of the most thorough and careful treatments of the subject.
David Stein, Hot Apps: Recalibrating IP to Address Online Software, 2024 Wisconsin Law Review 1014. David Stein was a software engineering manager before going to law school and entering academia. This article argues that the shift from apps that run on users’ computers to apps that run as cloud services fundamentally changes the economic argument for software copyright.